Download Charles Mingus - Oh Yeah [Flac][TntVillage]
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Torrent name: Charles Mingus - Oh Yeah [Flac][TntVillage]
File size: 285.74 MB
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Categories: Music Albums
Torrent hash: b244c2b2592dc3d739e11a66e2223c8a13cba59b
Uploader: leonenero
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Destination: Jazz
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Torrent detail

Charles Mingus - Oh Yeah [Flac][TntVillage]



Artist...............: Charles Mingus
Album................: Oh Yeah
Genre................: Jazz
Source...............: CD
Year.................: 1961
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: TntVillage

Ripped by............: Leonenero on 30/09/2016
Posted by............: Leonenero on 30/09/2016
News Server..........: news.astraweb.com
News Group(s)........: TntVillage

Included.............: NFO, MD5, M3U, LOG, CUE
Covers...............: Front Back CD

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                       Tracklisting
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   1. Charles Mingus - Hog Callin' Blues [07:28]
   2. Charles Mingus - Devil Woman [09:43]
   3. Charles Mingus - Wham Bam Thank You Ma'am [04:47]
   4. Charles Mingus - Ecclusiastics [06:59]
   5. Charles Mingus - Oh Lord Don't Let Them Drop That Atomic Bomb On Me [05:43]
   6. Charles Mingus - Eat That Chicken [04:41]
   7. Charles Mingus - Passions Of A Man [04:55]

Playing Time.........: 44:19
Total Size...........: 285,49 MB

After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah , which has to rank as the wildest of all his classic albums. Mingus plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them). Mingus had always had a bizarre sense of humor, as expressed in some of his song titles and arranging devices, but Oh Yeah often gets downright warped. That's partly because Mingus is freed up to vocalize more often, but it's also due to the presence of mad genius Roland Kirk . His chemistry with Mingus is fantastically explosive, which makes sense -- both were encyclopedias of jazz tradition, but given over to oddball modernist experimentation. It's a shame Kirk only spent three months with the band, because his solo interpretations are such symbiotic reflections of Mingus ' intent as a composer. Look no further than "Hog Callin' Blues," a stomping "Haitian Fight Song" descendant where Kirk honks and roars the blues like a man possessed. Mingus ' vocal selections radiate the same dementia, whether it's the stream-of-consciousness blues couplets on "Devil Woman," the dark-humored modern-day spiritual "Oh Lord Don't Let Them Drop That Atomic Bomb on Me," or the dadaist stride piano bounce of "Eat That Chicken," a nod to Fats Waller 's comic novelties. Elsewhere, "Passions of a Man" sounds almost like musique concrète, while "Wham Bam Thank You Ma'am" nicks some Monk angularity and "Ecclusiastics" adds some testifying shouts and a chorale-like theme to Mingus ' gospel-jazz hybrid. Oh Yeah is probably the most offbeat Mingus album ever, and that's what makes it so vital.

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